However, while the protagonists moves back and forth between white and scorch culture, he is able to glean common background knowledge between both cultures, one that establishes that fact that while cultures certify many unique characteristics, all man beings are committed by common threads inherent to all human beings irrespective of color, culture or creed. We see this when the protagonist describes being in cut for the first time. The interpretation is not black and it is not white. It is, as anyone who has ever fallen in love for the first time will admit, a human description common to all individuals "She was my first love, and I loved her as only a boy loves. I dreamed of her, I built castles
The novel is at its best when it demonstrates the fact that all world is man-made and imperious determined by the dominant status-quo. In other words, black is only thought to be inferior by white people who make the laws but not by black people innately.
We see that some blacks will internalize the disallow conception of themselves socialized and reinforced by the dominant white classes. However, others, like Johnson's protagonist will discover ways to do work a whole identity and find peace and fulfilment in the face of a reality that is defined by others. Above all, the novel explores questions of attitudes and ideologies, the formation of them by dominant classes, and the illogic behind most of them?feeble attempts to create a reality and impose it onto nature. We see this when Johnson reveals a conversation between a Texan and a Northern man:
for her, she was the incarnations of each beautiful heroine I knew; when I played the piano, it was to her, not even melody furnished an adequate outlet for my passion; I bought a new note-book and, to sing her praises, made my first and last attempts at poetry" (Johnson 30).
Johnson, J. W. The Autobiography Of An Ex-Coloured Man. Vintage Books, New York, 1989.
Throug
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