Monday 8 April 2013

Aristotle's Poetics. It examines and explains an excerpt from the philosopher's work. The essay examines the way in which tragedy works and affects its audience, according to Aristotle.

According to Aristotle, poetry, along with other art forms, is based, more than anything, in mans intelligence of imitation. Tragedy, which Aristotle regards as a superior form of drama, is a item type of this imitation which follows specific formulas in order to obtain its goals. Tragedy is an imitation of an action that is serious, complete and of a trusted magnitude. It uses artistic language of different kinds which are found in spite of appearance separate parts of the dissolution.

Tragedy relates what may happen. It uses the characters nature to show the modal value in which he would act in a wedded situation. A good tragedys central goal is to invoke shame and fear within its audience, causing catharsis, or the purgation, or refining of emotion through vicarious experience. The audience members relate to the characters hamartia, or tragic flaw, and by following the plot without having to actu onlyy kick the bucket through events which would bm them suffering, or catastrophe, they are able to cleanse themselves of their own hamartia. Therefore, there are certain elements in a tragedy that are particularly vital.

Aristotle deems the plot the soul of tragedy. Tragedy, after all, is an imitation of action. Thus, this action, the plot, becomes the vicarious experience which will essentially cause the audiences catharsis.

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The plot must follow a certain organize in order to achieve its purpose. It must be whole; it must have a beginning, middle, and end, which flow in a natural manner. The length is also significant; a play can be long as long as it is comprehensible. Also, the play should focus on one action, not all the actions in the characters life. Tragedy is an imitation of events inspiring fear or pity. These feelings are achieved by thong of the situation and recognition. A reversal of the situation...

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