Death In Venice - an disturbed artist's tragic vision

Death in Venice : a disturbed artist with a tragical vision

Aschenbach was certainly an artist. A very decent one. He had his liveness planned out, was very accurate and organized. Perhaps even a bit boring, monotonous. He was a hard-working man, he had that certain motus animi continuus. He was seen as a genius. From the beginning, he wanted to take known, to become famous, but his life was empty. He yearned for a change of pace, for roughly action, adventure and unpredictability of what might come. He was afraid of breaking out, that he was also afraid of be trapped.

Then he goes to Venice, where alone testament change. In his hotel, he sees a young boy by whom he is fascinated. The young boy is the perfect photo of a happy, idle child that has all it desires, all Aschenbach neer had; his childhood was rather gloom since it was spent mostly at home and indoors, he didnt meet many people and he certainly never had that laisser aller attitude that the young boy so obviously possessed. Aschenbach studied the child and found out that his label was Tadzio. The sound of his name was almost musical. Aschenbach would sit on the brink and watch him play, the young child that, in his point of view, looked care the god Apollo.



Slowly but surely, he became obsessed with Tadzio, with his youth, beauty, effortlessness and his idleness.

Whilst being obsessed with this young boy with whom Aschenbach has no connection or relation, around him disease broods. The plague is sweeping over Venice, ignored at first and denied by the Venitians. They are all lying, denying and playing as to make sure the tourist business will continue to thrive through this period of silent turmoil. tribe are dying...

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