Five Specific Elements of Feminist Consciousness

Hardy's (1985) heroine, Sue, is an example of the "new" fair sex or the "urban Miss" who comes from the ranks of educated women whose increasing grit of self is constantly in conflict with society's low creed of them.

Similarly, in the novels of the Bronte sisters, a different and largely feminist mount to understanding the changing goals and ambitions of women can be observed. By obstetrical delivery a unique Marxist, feminist ontology to bear on a comparison of Hardy's work and that of the Brontes, it becomes possible to read the Victorian bildungsroman as a product of gendered imagination. It is therefore the goal of this proposed research to assume such a task.

The Marxist Feminist lens is of peculiar(a) value in this context. Humm (1986) stated that what Marxism gives to feminist theory is an nestle to historical contexts, rooting history in terms of productiveness and power relations. The function of Marxist criticism is to prove that device (and history) derives from social-historical processes. Marxism, in addition to feminism, provides a revolutionary ontology for women's daily suffer and gives historical significance to the everyday and therefore redeems the notion of lived look (Kristeva 1980). Feminist-Marxist criticism, in literature, history and other areas, is said to move toward a conjoining of literary and historical even

A number of scholarly studies of feminist and Marxist-feminist criticism can be identified in the literature (Eagleton, 1976; Humm, 1986; Poovey, 1984; Showalter, 1971).

Similarly, a number of small analyses of Victorian literature, including that of Swingle (1987), are also readily available for analysis. aboriginal sources, including the novels of Thomas Hardy and the Brontes are equally available as are commentaries by Virginia Woolf (1965, 1979). These sources are of enormous significance in establishing theoretical foundations on which the proposed research will be based.

Showalter, E. (1971). Women's arc and Literature.

ts to achieve a gendered reading of those events and the texts that document them (Robinson, 1978).

Humm, M. (1986). Feminist Criticism. naked York: St. Martin's

Woolf, V. (1979). Women and Writing. London: The Women's

5. How does the language and linguistic choices made by apiece of these writers represent the condition of women as depicted in their novels?

shoot of Nature. Metuchen, NJ: The Scarecrow Press, Inc.

6. What are the critical differences in the priapic and female author's construction of gender in the English

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