Oedipus the might, by Sophocles, contains a very prominent tragic virtuoso: Oedipus. A tragic attack aircraft, by Aristotles definition of one, must be in possession of six traits. One of them is that the tragic hero must be of noble acme. Another trait of a tragic hero is a tragic flaw. A third trait outlined by Aristotle is that a tragic hero must perk up a period of recognition of his crimes. Oedipus strongly displays each of the triad aforementioned, necessary traits; and he is, then, an obvious tragic hero.
Oedipus noble stature is immediately apparent in Oedipus the King. The plays prologue opens with Oedipus addressing the people of Thebes. He states, Yes, I whom men call Oedipus the Great (5). This shows that Oedipus is of certain nobility, as it would be unheard of for any commoner to have the title of Great. Oedipus tells a priest to speak, who begins his reply with, King Oedipus, the sovereign of our land, you see hither young and old clustered round the shrine (5). It becomes very clear that Oedipus is King of Thebes; and he is revered in his country. Oedipus is get along noble because he is the son of King Laius and Queen Jocasta of Thebes.
do him of even more royalty, a messenger from Corinth tells Jocasta about Oedipus, King Elect of Corinth is he: so runs the order-in-council there (50). Oedipus, as the single and adopted son of King Polybus of Corinth, is entitled to rule Corinth as well as Thebes.
Oedipus tragic flaw, which Aristotle has named a hamartia, is one that is seen end-to-end the play: anger. Oedipus is very much an angry person. Oedipus, at first, is manikin to the prophet Tiresias. When Tiresias does not immediately fulfill Oedipus desire for cognition regarding the death and killer of...
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