Monday 4 February 2013

Great Leaders

For all intents and purposes, the biography of the graphicsifices begins with the history of art, as dealt with elsewhere. Furthermore, the history of the Performing Arts and Literature have been described in other articles --(Please see: Outline of performing arts; taradiddle of literature). Some examples of creative art through the ages can be summarized here, as excerpted from the history of art.

Ancient Greek art aphorism the veneration of the animal form and the development of equivalent skills to record musculature, poise, beauty and anatomically correct proportions. Ancient Roman art depicted gods as idealized humans, shown with characteristic distinguishing features (i.e. Zeus thunderbolt).

In elusive and Gothic art of the Middle Ages, the dominance of the church insisted on the expression of biblical and not material truths.

Eastern art has generally worked in a air akin to westward medieval art, namely a concentration on near patterning and local coloring material (meaning the plain colour of an object, such as basic red for a red robe, rather than the modulations of that colour brought about by light, shade and reflection). A characteristic of this style is that the local colour is often defined by an depict (a contemporary equivalent is the cartoon). This is evident in, for example, the art of India, Tibet and Japan.

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Painting interpreted literally is the practice of applying pigment suspended in a vehicle (or medium) and a binding agent (a glue) to a egress (support) such as paper, canvas, wood panel or a wall. However, when purposed in an artistic sense it means the use of this activity in combination with drawing, composition and other esthetic considerations in order to manifest the expressive and conceptual blueprint of the practitioner. Painting is also used to express spiritual motifs and ideas; sites of this loving of painting range from artwork depicting mythological figures on pottery to The Sistine Chapel to the human body itself.

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