Applying Critical Theories of Aesthetics, Judgement and Value to a poem
For the past two centuries the works of John Keats afford been r eered as classic pieces of literature which hold a pivotal and permanent position in the literary cannon. Keats Ode on a Grecian Urn encapsulates his trademark techniques of eloquent sensuous dustup to create strong dialectics, which subsequently voice his ideas and philosophies on life. When assessing a piece of literatures claim to canonical status, thither are a range of factors which can be apply and must be considered when judging its worth and value. Keats Odes raised untold contemporary criticism as well as commendation, which it continues to earn and therefore the placement of Ode on a Grecian Urn is a controversial choice which deserves careful deliberation.
Rob Pope defines esthetics as things perceptible to the senses . In every day usage, aesthetics becomes synonymous with dodge and lulu, aesthetics = refined pleasure = art = beauty1 and therefore literature which embodies this is greatly credited. It is inevitable that Keats provides aesthetic imagery as Ode on a Grecian Urn has a continuous underlying theme of the senses.
This is purposely exercised by Keats, an advocate of dialectics, because in extensively describing sensual imagery, for ever warmly and still to be enjoyed, Keats creates the paradox of attributing sentient qualities to an object of fastness he provides life for the inanimate Urn. Pope later refines his interpretation of aestheticism to elitist notions of the sublime and beautiful1; arguably the Urn is presented by Keats as an object of both these qualities, as it possesses the ability to transcend the banish aspects of life, whilst preserving the beauty of it. This is demonstrated by Keats description of the two lovers, for ever wilt thou love, and she be fair!, as their beauty will...If you want to get a full essay, order it on our website: Ordercustompaper.com
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