Tuesday, 13 November 2012

Program Manager Researcher

Much of the record was finished ten months ago, just about the time American Recordings' blood with its major label partner, Warner Bros. Records, began to unravel, which meant more distr good turnions and delays. (American owner Rick Rubin, who was squabbling with Warner Bros. o'er money, has since moved his label into the Sony camp.) Williams began to lose faith in American when she watched label mates the Jayhawks, a kindred-spirit roots gem act that, care Williams, does not fit nicely into a technical radio format, release their excellent Sound of Lies last category only to have it tank while the label stood by and watched. "That's why she wanted to get out," says a source limiting to the singer.

It's deja vu all over again for Pearl Jam. Sales of Yield, the current from the '90s blockbuster band, started out strong, debuting at No. 2 and exchange 358,000 copies its first week in stores, according to SoundScan.
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But, just like the systematic slide '96's No Code suffered over the prove weeks, Yield has had trouble gaining any chart traction, with its sales move steadily, to less than 35,000 copies a week. At that rate, the record will belike be out of the top fifty by summertime. (By contrast, Matchbox 20's rock album Yourself Or Someone Like You has been hanging about the top ten for months now.) Pearl Jam's post-Vitalogy fan base may have shrunk, but it has been remarkably consistent. A mon



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